Year | Publication |
---|---|
1993 | "Critical distance : politics between the Habermasian dualisms" in Theses and Projects |
1995 | "Radio Shock" in Bad Subjects |
2000 | |
2003 | "Local Services and Broadband Telecommunications Competition in Texas, Missouri and Kansas" in Report from the Telecommunications and Information Policy Institute |
2003 | "When Creators, Corporations and Consumers Collide: Napster and the Development of On-Line Music Distribution" in Media Culture & Society |
2004 | "Infrastructure for the Celestial Jukebox" in Popular Music |
2005 | "Loose Integration in the Popular Music Industry" in Popular Music & Society |
2005 | "Competition’s eclipse: Brazilian wireless telephony" in Journal of Media Economics |
2005 | "Discovering a lexicon for video games: New research on structured vocabularies" in International Digital Media and Arts Association |
2006 | Digital music wars: Ownership and control of the Celestial Jukebox |
2007 | "Customer relationship management: Automating fandom in music communities" in Fandom: Identities and communities in a mediated world |
2007 | "A patently political dispute: software patents in the European Community" in European Union Center of Excellence, George Bush School of Public Affairs and Government, Texas A&M University |
2007 | "Moving targets: Introducing mobility into universal service obligations" in Telecommunications Policy |
2007 | "Managing electronic documents and work flows: Enterprise content management at work in nonprofit organizations" in Nonprofit Management and Leadership |
2008 | |
2008 | "The Internet and its radical potential" in Battleground: The media |
2008 | "Trends in Digital Music Archiving" in The Information Society |
2010 | |
2010 | "Cyberlibertarians unite: Open source digital music curation is coming" in Musicworks |
2011 | "Developing a Global Media Studies Curriculum" in Papers |
2011 | "Theoretical and practical approaches to cyberinfrastructure, virtual research environment, and virtual organizing for e-science, e-social science, and digital humanities" in National Communication Association Presentation |
2011 | "Hacking, jamming, boycotting, and out-foxing the markets for new media" in Online territories: Mediated practice and social space |
2012 | "When creators, corporations and consumers collide: Napster and the development of online music distribution" in The media studies reader |
2012 | "Media Production and Information Policy" in The International Encyclopedia of Media Studies |
2013 | "Gunboat Diplomacy and Pirate Sanctuaries : The Use of Trade Agreements to Promote Copyright Reform" in Communication and Media Policy in the Era of the Internet: Theories and Processes |
2013 | "Review of Paolo Sigismondi's The Digital Glocalization of Entertainment: New Paradigms in the 21st Century Mediascape" in Global Media Journal |
2013 | "Post-privacy and ideology: a question of doxa and praxis" in Media, surveillance and identity: A social perspective |
2013 | "Geopolitics and the Popular" in Popular Communication |
2013 | "Media production and information policy: Growth through replication" in International Companions to Media Studies |
2013 | "Intellectual Property" in Grove Dictionary of American Music |
2014 | |
2014 | |
2014 | "Music in the Cloud and the Digital Sublime" in Popular Music & Society |
2014 | "Review of To the Cloud: Big Data in a Turbulent World" in Popular Communication |
2014 | "Post-Privacy and Ideology" in Media, Surveillance and Identity: Social Perspectives |
2014 | "Mexican Mobile Music" in The Oxford Handbook of Mobile Music Studies, Vol. 1 |
2015 | "Piracy and Social Change-Revisiting Piracy Cultures Editorial Introduction" in International Journal of Communication |
2015 | "Intellectual Property Rights" in The International Encyclopedia of Digital Communication and Society |
2015 | "Piracy and Social Change: Roundtable Discussion" in Popular Communication |
2016 | "Musical discovery as self-fashioning" in Popular Communication |
2016 | |
2017 | "The international political economy of the hack: A closer look at markets for cybersecurity software" in Popular Communication |
2018 | "Political Economy of Communication and Digital Rights Research" in The Craft of Criticism: Critical Media Studies in Practice |
2019 | "The Spotification of public service media" in The Information Society |
2019 | |
2020 | "White Supremacist Terrorism in Charlottesville" in Studies in Conflict & Terrorism |
2020 | |
2020 | "On Evolving Bildung in the nexus of streaming services, art and users – Spotify as a case" in Presentation for Music in the Age of Streaming Conference |
2020 | "Spotify som företagsidé – från download till access: relationer till ett samhälle i förändring med fokus på juridik och politik, översättning Elias Schwieler" in Explorativ bildning i strömmande medier Spotify som ett case |
2021 | "White Supremacist Terrorism in Charlottesville: Reconstructing ‘Unite the Right’" in Studies in Conflict and Terrorism |
2022 | |
2023 | "Getting to yes: An interview with Igor Vamos" in International Journal of Cultural Studies |
2024 | "Streaming Music: Will Digital Rights Management Have a Place in a Blockchained World?" in Music Research Annual |